| Hard- & Software • Balenciaga by Nicolas Ghesquire autumn/winter |
| 28.10.2013, 14:36 - fepzomdw - Hohlbratze - 797 Posts winter 2011 from Paris Fashion Week Moving away from the hardedged,hamnensvandrarhem, neopunk disposition which predominated in his latest spring/summer collection, Ghesquire followed a far more gentle, but still adventurous line. In photos: Balenciaga by Nicolas Ghesquire autumn/winter "We've still invested a lot in development, but on a bigger scale," he said backstage after the display, staged, as has developed into a tradition,www.tunerpersa.se/parajumpers-jacka-herr/parajumpers-kodiak-jackor, at The Crillon Lodge, and which included Orlando, florida Bloom in town to support his wife Miranda Kerr who modelled in the show among the frontrow guests. Ghesquire called his / her new print, the multicoloured dreamlandcsape on white man made fiber, "almost like a hallucination, like now you're a child and everything appears bigger than it is". "This fantasy approach is something which Cristobal Balenciaga himself used, in order that it felt right.Inches The print featured around the new folded drapeskirt using a semitriangular hem, seen along with dark,Parajumpers salg Norge, striped shimmering knits, on shirttunics and on slender trousers, zippered up the back again of the ankles. The true secret silhouette worked all around a larger boxy top 50 %, and a tapering decrease half, with top added in the form of highheeled, colored snakeskin or black and white, multistrapped flip flops and ankleboots. The look has been particularly effective each time a squarecut navy silk prime was worn using one of the folded dresses in black,parajumpers jakke oslo, along with flashes of metal gold detail. Though there were many of the 'noble' materials Ghesquire loves, there was an emphasis on 'fake', as in fake leather tabards and PUlook boxy jackets. Clever handknitting techniques were useful for voluminous, realleather bombers and trim, rectangular clutch luggage, where the hides ended up stuffed to produce a much more rounded effect. Additional bags were in addition slim and square, featuring opulent printed metallic work on Speaking spanish leather. The handknitting strategies extended to latticework tabards, anchored and layered over shocking pink, white-colored or sequinned tunics, worn with silver and dark-colored, skinny trousers, while were navy foambacked made of wool tunics with transparent tulle undershirts. Ghesquire also played with colour obstructing,beckyalascio, as in a white and black silk crepe tabard, with electrical violet bands with the sides, and complementing purple leggings. Massive blue eyes are clearly a key trend whether fake or natural. Gareth Pugh employed strange blue metal 'eye guards' in his cyber scifi series. And, although most of the models at Balenciaga seemed completely makeupfree, some obtained the 'Blue Eye' treatment, as swathes of bright darkness painted like a hide over eyes along with brows. |